Artist Zagorskaya Inga Victor

Country: Moldova
City: Tiraspol

I was born in 1990 in Chisinau. but in 1992 our family was forced to move to the territory of the PMR, in Dubossary, where I lived for 15 years. During this time I managed to graduate from high school and the Children's Art School (perhaps, this can be considered my only artistic education). In 2007, I moved to live in Tiraspol and entered the Transnistrian State University. T.G. Shevchenko at the Faculty of Philology, majoring in "Russian language, literature and a foreign language." I got knowledge in the university for the sake of diploma, practically not showing interest in the teaching process. Enter the faculty of fine arts, at that time, I did not have the opportunity. Therefore, closing the regular session on the 5th course, I left the walls of this institution, not reaching for a year and a half before graduation. I do not regret this decision at all, for I am tired of going against my wishes.
The fact that I work in the style of "metarealism", realized quite recently. Because, literally a few months ago, I myself wondered if my creative ideas fit into any definite framework. After carefully studying the main artistic directions, I found a complete ideological similarity with the metarealistic manner of performance. Broadly speaking, metarealism is a young artistic and intellectual movement that arose in the period from 1970 to 1990 on the territory of Russia, implying a set of several realities where the boundaries between the abstract and the objective are blurred.
More specifically: There is a reality open to the ant's vision, and the reality open to the wandering of the electron, and reality, folded into a mathematical formula. The image-metabolic is a way of interconnection of these realities, an indication of their growing unity. On the metareal picture, the outer layer, the skin, is torn off from the space, but the geometric diagram, the anatomical backbone (as in abstractionism), is not exposed. The cut runs somewhere in the middle between the skin and the skeleton.
The works include:
- Spiritual research, I'm interested in the ideology of Shaivism, the cult of worship of Shiva.
- Experiments on the combination of various creative and cultural trends.
- Combating internal imbalance.
With my creative expression, I position my inner struggle against my alter ego, I tell about my spiritual experience and about various creative experiments. The main social message is this: Do not be afraid to denude your fears of imperfection by striving for some fictional ideal. Enough to keep silent about their problems, if you think that there is no way out, and there is a deadlock. No matter how pessimistic we are not looking at the world, there will always be those who are not indifferent to our problems, who will help with word or deed. Do not be afraid to be imperfect !!!!



Work list
Painting (Picture) : Something about me...
2018 y. / 42x30 cm
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Painting (Picture) : Lady Universe
2018 y. / 42x30 cm
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Painting (Picture) : Balance
2018 y. / 53x42 cm
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Painting (Picture) : In your own prison
2018 y. / 30x42 cm
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Painting (Picture) : Beware: awesome and forever
2018 y. / 30x42 cm
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Painting (Picture) : Grunge, art, two shooters
2018 y. / 30x42 cm
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Painting (Picture) : Talvi
2018 y. / 42x30 cm
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Painting (Picture) : God is an astronaut
2017 y. / 53x42 cm
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Painting (Picture) : God is Love
2017 y. / 42x30 cm
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Painting (Picture) : F 41.0
2017 y. / 42x30 cm
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Painting (Picture) : A silent cry of alter ego
2017 y. / 42x30 cm
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Painting (Picture) : काली मां
2017 y. / 53x42 cm
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Painting (Picture) : Shiva and Shakti
2017 y. / 30x42 cm
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Painting (Picture) : Dali and contemporaneity
2016 y. / 42x53 cm
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Painting (Picture) : Versality.
2016 y. / 42x30 cm
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Painting (Picture) : The Shadow oh the Creed: Buddhism
2016 y. / 42x30 cm
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Painting (Picture) : The Shadow oh the Creed: Islam
2016 y. / 42x30 cm
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Painting (Picture) : The Shadow oh the Creed: Christianity
2016 y. / 42x30 cm
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